Natura morta in un tondo, 1942
Etching on Japan paper
Edition 15 of 50
Plate: 27 x 30.5 cm
Sheet: 37.2 x 49.7 cm
Il giardino di via Fondazza, 1924
Etching on Japan paper
Edition 5 of 55
Plate: 10.8 x 15.2 cm
Sheet: 24.9 x 30.8 cm
Natura morta con vaso, conchiglie e chitarra, 1921
Etching on Japanese paper
Unknown edition number
Plate: 10 × 11,8cm
Sheet: 24,8 × 30 cm
Natura morta con pere e uva, 1927
Etching on paper
Edition 38 of 40
Plate: 18,4 × 20,7
Sheet 26 × 33,4 cm
Giorgio Morandi (1890–1964), one of the most celebrated Italian painters and printmakers of the 20th century, is renowned for his contemplative still life paintings, etchings, and drawings featuring everyday vessels. Born and based in Bologna, he studied and later taught printmaking at the Accademia di Belle Arti (1907–1956), helping shape generations of artists through his studio practice.
In the 1910s, Morandi exhibited alongside Italian Futurists like Boccioni, Balla, and Depero, and later engaged with the Metaphysical School, studying under de Chirico and Carrà. By the early 1920s, he had committed fully to still life, crafting a signature aesthetic defined by soft greys, muted roses, and warm ochres that emphasized tone, light, and spatial harmony.
Morandi became a fixture at major international exhibitions—Venice Biennale (1948 winner of Premio Città di Venezia), Documenta in Kassel, the São Paulo Biennial (prizes in 1953 and 1957), and multiple editions of the Carnegie International. His paintings and prints now enrich the collections of museums such as MoMA (New York), Centre Pompidou (Paris), Museo Reina Sofía (Madrid), Art Institute of Chicago, Hermitage (St. Petersburg), and more.
A selection of original works by Morandi is available through Repetto Gallery, Lugano, offering collectors a rare opportunity to acquire pieces of modern Italian painting.
Explore available works or contact us for acquisition details.